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STAINED GLASS STUDIO
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How Do You Choose a Stained Glass Studio for a Commission?


Artist holding a stained glass panel of a bull rider

Selecting the right stained glass studio is one of the most important decisions you’ll make for your project. Whether you’re restoring historic church windows or commissioning a contemporary installation, the studio’s expertise directly impacts the quality, longevity, and artistic integrity of the work.

1. Evaluate Experience and Specialization
Not all studios are the same. Some focus on ecclesiastical restoration, others on residential commissions or large-scale architectural installations. Review the studio’s portfolio carefully. Look for projects similar in scope, style, and complexity to yours. Experience with preservation standards—especially for historic properties—is critical.

2. Review Craftsmanship and Materials
Professional studios work with high-quality glass from respected manufacturers such as Kokomo Opalescent Glass or Oceanside Glass. The studio should be transparent about materials, fabrication methods, and structural reinforcement. Ask about glazing systems, protective coverings, and long-term durability.

3. Ask About Process and Communication
A reputable studio will provide a clear design process—concept sketches, full-scale cartoons, glass selection, fabrication timelines, and installation planning. They should offer written proposals, realistic schedules, and ongoing communication. You can request to speak with previous clients about their experiences working with the studio as well. When making decisions by committee, TLC recommends getting a copy of The Color of Light by Sarah Hall to guide your discussions.

4. Verify Insurance and Installation Capability
For architectural projects, especially in public buildings, proper insurance, engineering knowledge, and professional installation services are essential. This separates established studios from informal workshops.

Ultimately, choose a studio that combines artistic vision with technical expertise and project management discipline. Stained glass is both art and architecture—it deserves professionals who respect both.

We begin with hand-blown cylinder glass, often referred to as 'antique glass'. This traditional method introduces tiny air bubbles and slight variations in thickness. When sunlight strikes the surface, these minor imperfections act as miniature prisms, bending and scattering the light in ways modern float glass never could. It is this organic vibration of light that we seek to capture and frame.

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